W.A.S.P. Mainman On Illegal Downloading: Stealing Artist's Work Will Never Be Labeled 'Support'

Torgeir P. Krokfjord of Norway's Metal Express Radio recently conducted an interview with W.A.S.P. frontman Blackie Lawless. The second part of the interview is now online. An excerpt from the chat follows:

On what motivates him:

"There's two things that motivate me nowadays, and that's the will to create the best possible music, and the will to deliver my absolute best when on stage. People try to make me do all these ridiculous things, say things I don't really mean, be places I don't want to be, do interviews I don't want to do. My response to all this is that I just really can't fucking care less; I don't give a damn if I make this or that much money, you know."

On the role the press plays in today's music business:

"The press has turned so tabloid, so hopelessly obsessed with bullshit. As a consequence of this, I nowadays do only 2-300 interviews a year, as opposed to 5-600 as I used to do. I've no need whatsoever to make myself into some kind of media whore. If my music doesn't speak for itself today, after some 25 years in the business, then there's really not much I can do. If people can't get a thrill by listening to 'The Crimson Idol' or 'The Headless Children' without having to see my face in a magazine first, then all hope is basically lost."

On playing live:

"For me playing a concert is hard work, just like recording an album is hard work. Whether the crowd response differs from song to song and so on really doesn't matter to me, my goal is to make every second of that gig just as great as the last second and the next second. If people enjoy some songs more than others, then that just means that we've not done well enough overall. Still, I really don't see or hear that much of the crowd anyway. When we play live everything sort of passes by in slow motion, and I'm really able to absorb neither visual nor sonic impressions. I know there are people out there, but I can't really see or hear them. For that reason I'm not at all able to identify myself with the artists that brag about the thrill and rush they get from being on stage. I see it as my job, and that's it really. Still, I'm not one to complain. This is the hand I've been dealt, as they say, and to be honest it's not a bad hand at all."

On copyright laws and the future of popular music:

"What people never seem to be able to realize is that there is one, and just one, reason why we'll never see more bands the size of AC/DC or PINK FLOYD. These were bands that were allowed to try and fail, allowed to grow, allowed to go on at their own pace, and evolve without record companies or other stress factors interfering. Do you think AC/DC would have been able to make an album like 'Highway To Hell' if they had not been allowed to do things at their own pace? I don't. Music needs support, bands need support, and stealing an artist's work will never ever be labeled 'support.' Illegal downloading does not support the artists; illegal downloading is one of the biggest reasons why popular music is past its peak. Most new bands are not able to play, they're not able to write decent songs, and will be forgotten before this interview's over; and the reason for this is exactly what I've told you now. They're not given the opportunity to try and fail, and take the time to learn their craft properly, and illegal downloading is a major factor in this."

Read the entire interview at Metal Express Radio.